An enjoyable visit to Watermouth Cove today. We parked in the harbour then had tea and cake at the Storm in a Teacup Cafe. The we walked out to the point and back along the coastpath. From the path you can see over to Broadsands Beach, down to Combe Martin and see Little and Great Hangman Cliffs in the distance. There were many paddle boards and kayaks out on the water and the cliffs were strewn with campers. You can tell foreign travel is off the cards this year. I find this a very picturesque stretch of the North Devon Coast so will go back to sketch and take more pictures in view of a large painting. Below is a link regarding the Hangman Cliffs which are the highest sea cliffs in England.
This acrylic painting is of the River Yeo at Rolle’s Quay in Barnstaple, acrylic on panel 770 x 400mm. I’ve attempted to capture that storm ridden summer sky and the murky tidal water. At the end of this painting I made a hideous schoolboy error when varnishing the painting. When I had a final look I noticed that the titanium white on the roof hadn’t quite dried and had bled right into the whole painting!!! All the blacks were now grey and muddy, reluctantly I reworked the contrast of the painting and subsequently saved it from either the bin or a repriming with gesso. What a mistake a to make!
Well update from the previous paragraph. After revarnishing the painting I was again unhappy with the overall uniform darkness of the painting. After a few adjustments I lifted the panel off the easel, and in anger deeply scored it with a Stanley knife and snapped it in half. This is now in the bin where it should have been in the first place. When you purchase paintings from artist just remember sometimes we spend hours of wrestling with paintings only to fail at the final post, it is these that you never really see. Al
A painting entitled In a place called Douma, 500 x 350mm acrylic on paper. Painted from an image from the Free Syria Media Hub on Twitter. The title of the picture post was “Real Rivers of blood do flow deep and fast in a place called Douma”. I would photo credit this but sadly couldn’t read the lettering.
What to do on a Sunday with a spare canvas and some hangover enthusiasm. Go out and paint one of my favourite scenes on the Braunton Marsh. Acrylic on 16 x 20″ canvas.
This is what the Explore Braunton website says. No two linhays are the same, although most are of square or rectangular shape. Some have become dilapidated but around 30 still stand today. The one which attracts the most attention is the round linhay, a grade II listed building on the edge of the inner marsh road, which has been thatched and provides endless photographic or even painting opportunities.
I visit this site many times throughout the year and each time it’s slightly different. Sometimes the water in the drain is crystal clear full of sticklebacks and at others fully of weed and cowslip plants. Local swans often glide past along with large dragon and neon blue damsel flies. In the winter it’s always quite bleak here hence the wind blown trees, all in all I prefer the spring/summer seasons.
Below are two pictures I’ve photoshopped from a quick cycle around the marsh today.
Moving swiftly on a painting entitled ‘Cycling into the storm’ 600 x 600mm acrylic on panel. This painting is of the many beach huts that line the Tarka Trail at Instow. I was cycling on the Trail near the Cricket Club when a massive summer storm swept up the River Torridge towards me, quickly I took an image on my phone and this was the result. I remember the cyclist speeding by trying to get to shelter before the rain came. On the left you can see the secure boundary fence of the Instow Arm Camp and just out of frame to the right the old railway crossroad that leads down the Instow Beach.
I was taken by an image on Facebook of a couple of old fisherman’s huts at Crow Point in North Devon and decided to sketch them in leu of a painting. I made my way to the White House at Crow and walked left along the thorn ridden breakwater; this is now the only way to get to these huts as part of the inner wall has collapsed. I arrived and marvelled at their rustic charm, rusty orange corrugated iron, weather bleached wooden doors and crude cobbles which remained from years ago.
Quickly I took a series of photographs and made a few reference sketches eventually the dark clouds forebode and soon it began to rain. Luckily one of the huts wasn’t locked and I weathered out the storm in it’s solitude loving that sound of rain on iron. The smells of the estuary mud and seawater filled the air as I made my way back slipping on the mud and pebbles.
After a little photoshopping, which I use for preliminary planning, I came up with this composition of the old huts. It’s often quite difficult to photograph paintings and the true colours and softness of the paint are missed, but on the whole I quite like this painting! These huts are placed at the crook of Horsey Island on the Braunton Marsh just where the River Caen (Braunton Canal) meets the River Taw. In the painting you can see The Taw in the background. Recently the inner tide Sea defences have failed and now Horsey Island has returned to the brackish muds of the Estuary.
600 x 600mm acrylic on gesso panel. Al
I attended an interesting walk and talk arranged by the Braunton Countryside Centre about the Second World War and the Burrows. I sketched a quick picture of the waterside as I’ve never seen so many Evening Primrose plants in flower. Quite an unusual light this morning quite humid, it reminded me of that Monsoon type light. I was amazed at the amount of Evening Primrose in bloom, the flowers looked even brighter against the dark sky.
This morning there was an enjoyable walk arranged by the Braunton Countryside Center it was about the Burrows and it’s World War Two usage for the D Day Landings. Many Americans were trained here for beach assault the person who lead the walk and talk was by Richard Bass a WW2 Historian from the Assault Training Centre Friends. If you can get onto one of these walks it’s well worth the effort. Al
Braunton Countryside Centre are on both Facebook and the net!
An image of mine taken a few weeks ago at Millmouth Beach in North Devon. This is of the famous Blackchurch Rock. This beach was recently made famous as filming locations for the movie The Guernsey Literary and Potato Peel Pie Society.
I was quite taken by this surf sticker infested sign in a lay-by overlooking Saunton Sands Beach. I’ve decided to paint this sign as a challenge and nod to all the people who have had a hand in it’s creation. From these lay-bys you get a magnificent view out over Saunton Sands, the Burrows and all the way to Westward Ho and beyond. I’ve entitled this composition ‘If you’re not local then leg it!‘ In days gone by surfers used to stake claims on local breaks with words such as ‘locals only’ etc. Acrylic on gesso panel 760 x 600mm.