A mysterious place is The High Moor. These images have been photoshopped after a visit to the Chapman Longstone above Challacombe Exmoor, Somerset.
The Chapman Longstone is the tallest prehistoric standing stone on Exmoor. The landscape around the Longstone contains extensive archaeological remains dating from the Neolithic (5000 years ago) until recent times. Aside from the Longstone, the Chapman Barrows, a linear barrow cemetery, demonstrates the significance this landscape had for Exmoor’s Bronze Age people. A group of standing stones known as the quincunx, due to its arrangement of five stones, is also found within this area. Nearby a long enclosure, possibly dating to the Neolithic period, suggests the importance of this area even before the first Bronze Age barrow builders. Occupation of a farmstead at Radworthy, on the Challacombe side of the Chapman Barrows may have begun before the Norman Conquest and continued into the post-medieval period.
Paracombe Village Longstone Landscape website.
On the left the famous West Anstey Longstone and right the Chapman Longstone with the Longstone Barrow on the horizon. This longstone or menhir marks the source of the River Bray.
An abstract seascape incorporating the colours and forms inspired by the North Devon coast. This is painted with acrylic on a 500 x 500mm panel.
Last Bideford Black painting for a while. This is of the famous Seafield House at Westward Ho in North Devon. Always love looking at this building with its decay and mystery. Recently a local businessman has purchased this so it will be interesting to see what happens. 
On the way home from a boozy weekend in Bristol when we approached junction 25. In the distance we could see storm clouds approaching as we left the sunshine of a Sunday afternoon. My wife was driving so I took some pictures on my iPhone. This result was sketched using my own prepared Bideford Black on Bockingford paper. 600 x 340mm. Al
Whilst walking around Croyde and Saunton searching for a little artistic inspiration I noticed fire tenders from RAF Chivenor on Saunton Beach. On enquiry I discovered that a Hercules C130J was going to practise take off and landings. After a few cups of tea and then venturing down the beach I witnessed the wonderful spectacle of a Hercules undergoing Tactical Operations. From my photographs taken that evening I’ve painted this acrylic on canvas impression. Canvas size 36 x 36″. Al
A large acrylic composition 600 x 1100mm on gesso panel. A view out over Saunton Sands after lunch at the Thatch in Croyde, North Devon. Below are a few abstracts I’ve made of the card palettes used in the making of this painting. Quite a relaxing way to wind down from the main event. Al
An acrylic on gesso panel of the River Torridge looking toward Appledore. A couple of years ago we had a wonderful summer and the waters around our coast became crystal clear. This was painted from an iPhone picture whilst taking the Instow Ferry to a beer festival across the water. As we left Instow Quay we immediately saw throught the clear water to the bottom with fish swimming by. A great memory and a great night at the Appledore Hall 400 x 400mm.
An experiment in acrylic painting techniques that I’ve discovered on Youtube. The use of paper dabbing, ragging, sgraffito and sandpaper, I’ve even used a surgical scalpel. The aim is to created many transparent layers to great depth and texture. This image is a view from the top of Saunton Hill looking out over Saunton Sands and on to the distant Westward Ho. You get that wonderful glow of cadmium yellow Gorse flowers during the year which is always a striking scene. This painting is a mixed media using acrylic, wax and watercolour pencils. The surface is an MDF panel measuring 400 x 400mm covered in a coarse gesso brushwork. It’s been a fun day. Al
Al Brown Artist. 