Category Acrylic Paintings

A LOOK BACK AT MY 2022

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A selection of some of the paintings I’ve completed in 2022, the year started out with a Bideford Black and ended with a large composition called Secluded Stream. I’ve had the great pleasure of twice visiting the Lizard in Cornwall this year and searched for sea glass with my wife along the North Devon Coast. During the year I was invited by a friend of mine, Adrian Beasley, to join again with the Black Arts for a residential course and worked with clients using the Bideford Black pigment at the Northam Visitors Centre. Having not exhibited for quite a while I ended year at the Burton Gallery, I’m now taking a slight break to plan my 2023 campaign. Al

SECLUDED STREAM

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A return to an old favourite of mine and perhaps the final painting of 2022. The old linhay on the Marsh in Braunton. Acrylic on canvas 30 x 40″. A sketch of this scene was made during one of my cycle rides along the Tarka Trail, around the Braunton Marsh and down the old American Road to Crow Point. I was quite taken by the neon cold light this particular morning and sat in the reeds watching the sticklebacks and swans.

COMBESGATE

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A painting of Combesgate Beach in North Devon. Acrylic on canvas 810 x 390mm, that’s 32 x 15 1/4″ in old money. Combesgate Beach is special stretch of sand just around the rocks from Barricane Beach near Woolacombe. When the tide is in not much of the beach can be seen, but at low tide, the golden sand, rock formations and views out to sea and Morte Point are breath taking. In the middle of this picture is The Watersmeet Hotel and dotted along the ridge are houses overlooking the view, I also like to surf the wave here on my longboard and it is known a little as ‘an old man’s break’.

SANDY COVE

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Acrylic on 610 x 390mm canvas of Sandy Cove in North Devon. This secluded and somewhat idyllic beach is just around the coast from Lee Bay. When the tide is out you can walk to this beach via The Smugglers Walk, a meandering pathway through the rocks and cliffs which eventually brings you to this place. Quite often this beach is very quiet and a perfect place to hunt for sea glass, look through the rock pools or have a relaxing picnic. It is now becoming popular for sea swimming too!

BEDRUTHAN STEPS

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Bedruthan Steps, mixed media on 40 x 30″ deep edge canvas. I was struck by the white parallel lines of the incoming waves on this day as I sat on top of the cliffs. The name Bedruthan Steps is said to be taken from a mythological giant called Bedruthan, who used the tall rock formations on the beach as stepping stones, and seems to be a late-19th-century invention for Victorian tourists. It is now part owned by the National Trust, the beach is now closed due to cliff instability and fear of visitors becoming cut off by rapid incoming tides.

HELE BAY

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HELE BAY painted on a canvas panel 500 x 250mm, using some pigments sourced at Fremington Quay. I am presently working on smaller scale pictures to keep my enthusiasm whilst planning larger compositions which move away from my usual landscape work. Hele is a favourite place of ours to search for seaglass and is a short pleasurable walk along the coast from Ilfracombe Harbour. There is free parking here and is a great place to sit in the sun or explore the rock pools.

MULLION COVE

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An hour of getting rid of the blank white canvas and laying out the basic tones and colours for this painting. It’s been quite a while, for various reasons, since I daubed paint on canvas so this initial start should commit me to action.
We loved our stay here a few weeks ago and the coastline along this particular part of the Cornish coast is stunning. I sat sketching the sea from ontop a cliff here and watched a sailing ship weight anchor and it’s small boat venture into Mullion Harbour over the crystal clear turquoise water.
The final acrylic painting is 24 x 30″ on canvas please note that the colours are not as the original painting! Al

WHITE DATSUN.

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I came across this painting of mine from a few years ago on another website and got to look at it through fresh eyes. The sentiment of it’s original concept still moves me today!
Acrylic on 36 x 36″ canvas. 
Adela Legarreta Rivas 1979.
Original image by Enrique Metinides.

The tragic scene in my painting was originally captured by photographer Metinides and is of Adela Legarreta Rivas, a Mexican journalist. Rivas had visited a beauty parlour where she had her hair and nails done in preparation for a press conference later that day. On her way to meet her sister she was hit and killed by a white Datsun on Avenida Chapultepec in Mexico City. In the scene her perfectly manicured nails, expensive jewellery, makeup and hair look almost flawless was it not for a single line of blood running across her nose and face.
In painting this scene I explored my own ideas of death and often use circles seen in the background to represent reincarnation. We hang onto material things and ego to boost our self esteem then suddenly a scan or an x ray can change all of our preconceptions of life in a second. A quote I heard sums this up quite eloquently, ‘Death is not the greatest loss in life, the greatest loss is what dies inside us while we live!‘