Another picture inspired from Roborough near Pilton, Barnstaple. I’m using some broken sticks from the hill to create some surface texture. This is painted using Bideford Black hand prepared paint on thick cartridge paper. The view is of looking toward the top of road leading down to Raleigh and Barnstaple. In the distance there is a slight glimpse of the River Taw leading to Fremington Quay, Instow and Crow Point. Al
A Bideford Black painting I finished last year finally in it’s new home. What a great setting and choice of frame! Really pleased at how it looks! Al
A mixed media composition of the late Peter Green who died on the 25th July 2020 aged 73. 540 x 400mm, Bideford Black, Uni-ball fine line pens & Indian Ink. I’ve found this frame on a recent trip to Clifton in Bristol where I discovered it in an antique shop.
Peter Green was one of the greatest Blues guitarists Britain ever produced. His shape-shifting riffs and long, improvisational excursions made Fleetwood Mac one of the most exciting live bands of the 1960s Blues explosion.
He first picked up a hand-me-down guitar at the age of 10 and, like many of his peers, began to devour the import vinyl that trickled into the UK from the US. He studied the greats Muddy Waters, Buddy Guy and BB King – combining their tensely coiled playing style with the shimmering vibrato of The Shadows’ Hank Marvin.
But he actually started his professional career as a bassist, until an encounter with Eric Clapton persuaded him to ditch the instrument.
“I decided to go back on lead guitar after seeing him with the Bluesbreakers. He had a Les Paul, his fingers were marvellous. The guy knew how to do a bit of evil, I guess.”
He later had the seemingly impossible task of taking over from Clapton in John Mayall’s Bluesbreakers. Fans were unconvinced at first, but after a handful of incendiary performances, he won them over, earning the nickname “The Green God”. Interestingly enough I thought the Green Manalishi was him but Mr Green says it was actually about a wad of cash he dreamt about.
A Bideford Black painting of Northam Burrows in North Devon 560 x 420mm. From a lockdown exercise walk and an incoming storm inspiration for this picture came about. I particularly liked the pebbles caught in the diminishing light! Al
A painting in Bideford Black of Roborough Hill in North Devon. During this lockdown time I’ve been trying to find a quiet cycle route for my daily exercise. I’ve found this place at the top of a very steep Roborough Hill. From here the view is amazing with a panorama out over Barnstaple. I’m also quite pleased that I can cycle this hill in my main cog at the grand old age of 62 lol. This is painted on Bockingford paper and the image size in 640 x 410 mm.
Another Bideford Black painting this time of Roborough Hill ten minutes from where I live. I cycle all the way up to the top where you get some sensational panoramic views out over Barnstaple and the River Taw! Early stages at the moment. Al
Bideford Black pigment on 250lb Bockingford Paper. After a warm cycle ride around the Marsh in Braunton I’ve decided to paint this Linhay yet again. Stormy sky and an even more stormy time for everyone regarding the present Covid conditions. I thought the dark foreboding nature of this paint and subject to be quite apt! Al
What a great night at the White Moose in Barnstaple, North Devon. A well run and packed venue thanks to Stella & Co. Sadly this is the last exhibition for the Moose and it was an honour to be asked to show for the final night with Adrian Beasley & Stephen Raff. The three of us have a present project called BLACK ARTS so perhaps watch this space. This was for me the final exhibition of a very busy year having exhibited at the Hatherleigh Festival with thanks to Josie Lloyd, The Plough in Torrington thanks to Peter Stiles and with the annual North Art Trek 2019. Now time to take a break and perhaps produce some new images. Many thanks Al.
This is a link for short videos whilst setting up for The Dark Side Of The Moose.