To The Blue Ball Inn.

final

Back to using my Bideford Black pigment on Bockingford paper 700 x 340mm.  This time is a picture inspired from a circular walk from Watersmeet to the Blue Ball Inn at the top of Countisbury Hill.  Then onto Lynmouth and back up to where we started our walk.
The Blue Ball Inn was so called because in the late 18th century it was used as a coaching stop.  A blue ball used to be raised on a pole to notify the coachmen that someone was in need of passage.  It has a history of haunting and highwaymen!

Hatherleigh Festival 2019.

8EAB983F-D327-4593-ACCB-E526367CDA37I have just completed four highly enjoyable days at this year’s Hatherleigh Festival and parted with a few paintings.  More importantly I’ve met new people, artists and musicians.  I’m hoping that the contacts I’ve made here will help further my artistic endeavours in the future.  There are so many creative and enthusiastic people here you can see why the town is known as a hub of creativity.  I’ve received such positive feedback about my work my confidence can only grow, so if you’ve never visited this wonderful town then do so you’re in for a great surprise.  I’d just like to say thanks to Josie, Mick and Alan for your generosity.  Al

 

Braunton Burrows.

IMG_0448Another Bideford Black painting 610 x 350mm on Bockingford paper.  This was from an idea by Adrian Beasley Imaging who suggested copying one of his landscape photographs for an upcoming joint exhibition at a local venue.  We are both exhibiting black & white landscapes and a comparisonal piece will be interesting.  Just a few minor adjustments in the cold light of day but this is it.  See you on North Devon Art Trek.  Al

IMG_0440The original AB photographic image above and my afternoon’s work beneath.  I’ve taped the outside so that when removed it gives a kind of photographic edge to my painting. Al

The Haunted House.

IMG_0105 (2)Last Bideford Black painting for a while.  This is of the famous Seafield House at Westward Ho in North Devon.  Always love looking at this building with its decay and mystery.  Recently a local businessman has purchased this so it will be interesting to see what happens.  http://www.westwardhohistory.co.uk/seafield-house/  If you are interested here is a video tour of the inside of this building  https://www.devonlive.com/news/devon-news/break-haunted-seafield-house-westward-331933

On the road to Cobbaton.

 

A painting of the road to Cobbaton in North Devon.  A dreary wet afternoon and saw this driving towards Cobbaton Combat, a military exhibition/collection which is well worth a visit if you’re in the area.  Painted using Bideford Black on handmade paper 400mm x 500mm.   I quite liked the wet reflections on the road leading into darkness and a blind corner.  I must say I do so prefer the summer.  Al

DSC01972

Billy Gibbons.

19059396_1503295196387875_9011246450277280156_n

Billy Gibbons (Pen & Ink with some Bideford Black coal based pigment) 290mm x320mm.  Just a brief travel back to my draughtsman & illustration days to produce this study of the Famous Mr Gibbons from ZZ Top.  Managed to see them at this year’s Glastonbury Festival and still rocking!  Al

Photograph courtesy of Kerry Langford Photography & thanks for allowing me to draw.

In search of the elusive Bideford Black.

In search of the elusive Bideford Black Pigment otherwise known as Biddie Black.  Running alongside seams of anthracite across North Devon is a black clay-like material that was mined for 200 years in Bideford for its uses as a strong black pigment. The unique ‘Mineral Black’, or ‘Biddiblack’ as it was known, was commercially produced for applications in the boat building industry, for colouring rubber products, for camouflage on tanks in WWII and was even bought by Max Factor for the production of mascara. The mines were closed in 1968 when the production of cheaper oil-based blacks and the depletion of the seam made the operation financially unviable, but many locals still remember the ‘Paint Mines’ and have tales to tell of using the paint or going into the now defunct mine shafts.  Today it’s revered by artists who love it’s inky black non reflective properties.  It first has to be dried, ground and then mixed with a medium such as PVA or Gum Arabic.  Looking forward to making my own now and seeing what images I can produce.  AL.

ps most of the information was from a website called The story of Bideford Black.