Saunton Sands painted on Bockingford paper using natural pigments found at Fremington Quay in North Devon. Amongst the rocks and strata at Fremington are various pigments including the usual Bideford Black, which I usually get from Greencliff at Abbotsham, a blackish colour called Poor Man’s Coal, Yellow Ochre, Burnt Umber, White Clay and Grey. I collect these pigments for further preparation where I finely ground them and use them for my paintings!
I’ve spent an interesting afternoon looking through the rock strata at Fremington Quay. I’ve collected Bideford Black from Greencliff at Abbotsham and used the blackish colour called Poor Man’s Coal from here at Fremington too. A renowned pigment artist called Peter Ward mentions that there are other distinct colours to collect here too, namely, Yellow Ochre, Burnt Umber, White Clay and Grey. On inspection these pigments are quite evident here so after collecting some samples I will prepare them for future painting projects. Below is a link to an interesting article by Peter Ward.
After the rains of the New Year the weather finally broke so I decided to make the most of the day and cycle along the Tarka Trail into Braunton, across the Marsh, down the Old American Road to Crow Point and then return home along the Tarka Trail. The air was warm and there was a kind of stone cold neon cheap light across the Estuary which made the whole trip so worthwhile. Above is one of my favourite Linhays on the Marsh which I’ve painted on several occurrences. Al
Above left, a view out across the Taw Estuary to Fremington. Above right, the beach at Crow Point looking towards Appledore & Instow.
Al Brown Artist. 