COMBESGATE BEACH

A quiet day at Combesgate Beach near Woolacombe in North Devon. With most of the summer visitors gone the beaches have now finally been reclaimed by the locals. We spent the day sitting in the sunshine on Barricane Beach drinking mugs of tea from the beach hut owned by the now locally famous Sri Lankan chef who supplies curries on summer evenings. In a week this curry house will be craned off the beach and stored marking the start of the approaching winter season.
Of course sea glass was found at Barricane but not so much at Combesgate around the corner although the rock formations there were outstanding. It’s on days like these, when you have the beach to yourself, you appreciate living in such a part of world.

LEE BAY

Well on a surprisingly sunny Sunday for October Donna and I decided to return to Lee Bay for a little more sea glass hunting. It was quite busy for this time of year but on our secret beach all was well. We spent a couple of hours strolling up and down picking sparkling sea glass out of the warm sand, so once our bags were full we decided to go to The Grampus and have some beer and cheesy chips.

WORKING WITH THE BLACK ARTS

A wonderful few days spent again as the BLACK ARTS with organised residential workshops managed by Adrian Beasley. The workshops featured tutors Adrian with digital capture, editing and printing, Stephen Raff taking clients through the early wet collodian photographic process and myself painting compositions with clients using the unique Bideford Black pigment. Our clients stayed at the Seagate Hotel in Appledore, North Devon and were taken to venues each day. I had the great pleasure of being based at the scenic Northam Visitor’s Centre beside the beach at Westward Ho pictured above.

Below are pictures of some of our clients work produced over three days involving group discussions. Each evening a different venue was chosen where we chatted informally about our day’s progress over meals at Belluno in Bideford, The Beaver in Appledore and Moran’s Restaurant in Westward Ho. On the final evening we all got together to look at the final work produced which included ‘The Big Reveal’ where everyone could see each other’s compositions. As you can see from the pictures superb work had been produced and the fabulous Indian banquet cooked by Clea, Adrian’s wife, ended the three day course superbly.

HELE BAY

HELE BAY painted on a canvas panel 500 x 250mm, using some pigments sourced at Fremington Quay. I am presently working on smaller scale pictures to keep my enthusiasm whilst planning larger compositions which move away from my usual landscape work. Hele is a favourite place of ours to search for seaglass and is a short pleasurable walk along the coast from Ilfracombe Harbour. There is free parking here and is a great place to sit in the sun or explore the rock pools.

PIGMENTS FROM ROCK TO BLACK

I’ve spent an interesting afternoon looking through the rock strata at Fremington Quay. I’ve collected Bideford Black from Greencliff at Abbotsham and used the blackish colour called Poor Man’s Coal from here at Fremington too. A renowned pigment artist called Peter Ward mentions that there are other distinct colours to collect here too, namely, Yellow Ochre, Burnt Umber, White Clay and Grey. On inspection these pigments are quite evident here so after collecting some samples I will prepare them for future painting projects. Below is a link to an interesting article by Peter Ward.

LESSON PREPERATIONS

An afternoon of running through lesson ideas in the use of Bideford Black and paint application techniques with Adrian Beasley. Adrian used assorted brushes, rags, scalpels and spattering techniques to produce these two wonderful images of the boardwalk at Crow Point. The subject is a particular favourite of mine but in a few weeks with other students other ideas and compositions will be explored with regard to Westward Ho, pebbles and beachscapes in both black and white photography and paint.

THE BLACK ARTS RETURN

I’m pleased to be part of another Black Art’s project organised by photographer Adrian Beasley. This residential course will run from the 12th to the 16th September and will be based in North Devon. The project will feature the following artists.

Adrian Beasley who will be based at Hartland Quay featuring landscape photography and computer enhancement of images.
Stephen Raff, will be taking students through the wet plate photographic process and creating glass plate images.
Al Brown will show how to make and use the local Bideford Black pigment and use it to create landscape paintings of the North Devon coast.

These few days should prove to be an exciting challenge to create memorable black and white images of North Devon. There are still a few places left! Al

LEE BAY

A smaller composition 10 x 20″ just to keep my motivation going whilst I plan my latest large scale project! Image painted from a recent visit to Lee Bay with my wife for a glass hunting forage. My wife Donna makes sea glass jewellery under the name Flotsam & Then Some! We had the usual beer and lunch at The Grampus pub then ventured onto Sandy Cove, for a rare afternoon we had the beach to ourselves and we felt like we were on a deserted island.

GREENCLIFF.

Another Biddie Black this time of Greencliff near Abbotsham in North Devon, painted on thick cartridge paper 700 x 260mm. and above is a video of removing the tape along with some of my guitar music to keep it company.
It is at Greencliff where I obtain my black pigment after walking down the winding coast path, past the old lime kiln and scrambling over the pebble ridge. On this particular day it was quite warm so I spent a lot of time here sketching and taking photos. I was asked by someone on the beach, was I digging for Bideford Black as they had read about it? I confirmed their suspicion and showed them where it was collected along with my black hands as evidence. I love this part of the coastline as it’s very secluded and quite a suntrap, ideal for evening BBQs. Someone before me had dug out some pigment and left the cliff in quite a state with a gaping hole this I made good with more mud and pebbles. You know what they say, ‘Love the beach leave no trace!’ and that includes litter.

GLASS HUNTING AT LEE.

A spur of the moment decision to drive up the coast to Lee Bay and hunt for more sea glass with my wife. She’s making jewellery at the moment so we’re making the most of the great weather. Not too much of a haul today as the tide was in but still there was glass to be found.
This was followed by a visit to the Grampus Inn for wine, beer and sandwiches. This pub makes it’s own gin and beer and I must say the ale was superb! Al